Concept art by Ken Anderson for 101 Dalmatians (1961)

Concept art by Ken Anderson for 101 Dalmatians (1961)

(Source: annyskod)

Laurie Penny’s Saudade

There are more of us than you think, kicking off our high-heeled shoes to run and being told not so fast

The best minds of my generation consumed by craving, furious half naked starving-

Who ripped tights and dripping make up smoked alone in bedsits bare mattresses waiting for transfiguration.

Who ran half dressed out of department stores yelling that we didn’t want to be good and beautiful

Who glowing high and hopeful were the last to leave the gig our skin crackling with lust and sweat and pure music

Who wrote poetry on each other’s arms and cared more about fucking than being fuckable

Who worked until our backs stiffened and our limbs sang with the memory of misbehaviour that was what it was to be a woman

Who dared to dance until dawn and were drugged and raped by men in clean T-shirts and woke up scared and sore to be told it was our fault

Who swallowed bosses’ patronizing side-eyes stole away from violent broken boys in the middle of the night and vowed never again to try to fix the world one man at a time

Who slammed down the tray of drinks and tore off our aprons and aching smiles and went scowling out into the streets looking for change

Who stripped in dark rooms for strangers’ anodyne dollars because we wanted education and were told we were traitors

Who sat faces upturned to the glow of the network searching searching for strangers who would call us pretty

Who bared our breasts to hidden cameras and fought and fought and fought to be human

Who waited in grim hallways with synth-pop crackling over the speaker system for the doctor to call us clutching fistfuls of pamphlets calling us sluts whores murderers

Who crossed continents alone with knapsacks full of books bare limbs clear-eyed vision running running from the homes that held our mothers down

Who filled notebooks with gibberish philosophy and scraps of stories and cameras to prove we were there keeping our novels and the name of out children close to our hearts

Who were told all our lives that we were too loud too tisky too fat too ugly too scruffy too selfish too much too and refused to take up less space refused to be still refused refused refused to be tame

Who would never be still. Who would never shut up. Who were punished for it and spat and snarled and they shook the bars of our cages until they snapped and they called us wild and crazy and we laughed with mouths open hearts open hands open and would never not ever be tame.

Sara, I’m with you in hospital, in the narroe rooms where you have put off your veil to count your ribs through your T-shirt, short hair and secrets and quiet defiance crying together that we don’t know how to be perfect-

Lara, I’m with you in mandatory art therapy, where we draw pictures of weeping cocks and are told we are not making progress-

Lila, I’m with you in a north London bathdroom, watchhing unreal maggots crawl in the cuts in your arms and listening to your girlfriend drunk and raging through the wall-

Andy, I’m with you in Bethnal Green where you love ambitious angry women with heart brain pen fingers tongue and you have a line from Nietzche tattooed over your cunt-

Adele, I’m with you in the student occupation, with your lipstick and cloche hat and teenage lisp drawling that there’s not enough fucking in this revolution and we must take action-

Kay, I’m with you on the night bus, half drunk and high dragging bright-eyed boys home to our bed, where we watch them worn out sleeping and whisper that we will never be married-

Katie, I’m with you in Zuccotti Park, where a broken heart is less important than a broken laptop is less important than a broken future and we watch the cops beating kids bloody on the pavement for daring to ask for more-

Tara, I’m with you in Islington where you have thrown all your pretty dresses out of the window and flushed your medication so you can write and write-

Alex, I’m with you and a bottle of Scotch at two in the morning when you tell me that no man will make us live for ever and we must seduce the city the country the world-

We are always hungry.

There are more of us than you think.

-

Laurie Penny’s Saudade, from Fifty Shades of Feminism (via mollycrabapple)

So good.

(via neil-gaiman)

(Source: nenamutante)

iheartmyart:


Echolilia: A Father’s Photographic Conversation with His Autistic Son
Timothy Archibald uses his camera to find an emotional bridge to his son Photographs and text from the book Echolilia: Sometimes I Wonder

 My eldest son was born in 2001. He was always a kid who went to the beat of his own drummer. When he was 5, we began making photographs collaboratively as a way to find some common ground and attempt to understand each other. Soon after we began the project, Elijah was diagnosed on the autistic spectrum. Though the diagnosis gave me the words and history to understand my son better, it didn’t take away the mystery and the need to try to find an emotional bridge to him.”Echolilia” is an alternate spelling of a more common term, “echolalia,” used in the autistic community to refer to the habit of verbal repetition and copying that is commonly found in autistic kids’ behavior. I liked the idea of it: photography is a form of copying. Kids are a form of repetition. And looking at my kid with photography allowed me to see myself a new

(via architectureland)

sharonosbourne:

byrante:

t1r3dofyourbullsh1t:

there are reasons you don’t do the harlem shake

This is the only good harlem shake video on the internet

iM GONNA PISS

(Source: jamesbadgedale)

xombiedirge:

Wonder Woman Covers by J.G. Jones

rocketfists:

If you listen carefully you can hear the sound of me falling in love with Carey Mulligan.

(Source: catbushandludicrous)

crashinglybeautiful:

Duane Michals, Madame Schroedinger’s Cat, 1998

crashinglybeautiful:

Duane Michals, Madame Schroedinger’s Cat, 1998

(Source: bienenkiste)

fuckyeahdirectors:

Stanley Kubrick on the set of 2001: A Space Odyssey (1968)

Morning train sketch

Morning train sketch

samanthakeelysmith:

MUTINY, 60” x 78”, oil, enamel & shellac on canvas, 2012, by Samantha Keely Smith.

+ detail images

zoom in here: http://www.samanthakeelysmith.com/samantha-keely-smith-paintings/mutiny.php

https://www.facebook.com/SamanthaKeelySmithPainter

Brother. Mother. It was they who led me to your door.